MA
The film ones in the 50s and 60s were used as video stabilisation measure. Early b/w TV sets lacked what's called 'DC Restoration' circuitry. What that meant was the picture when supposed to be black, was never jet black, but a washed out grey. Also, there would be picture instability, (due to poor EHT regulation) if the signal changed instantly from white to black (or vice versa). To avoid this impairing the first second or so of an advert, an animation was inserted before and between each ad, to gently build up the picture brightness.
Until around 1988-9 I don't believe any company other than Southern/TVS used them did they (other than the film ones in the 60s/70s that went out of fashion) ?
The film ones in the 50s and 60s were used as video stabilisation measure. Early b/w TV sets lacked what's called 'DC Restoration' circuitry. What that meant was the picture when supposed to be black, was never jet black, but a washed out grey. Also, there would be picture instability, (due to poor EHT regulation) if the signal changed instantly from white to black (or vice versa). To avoid this impairing the first second or so of an advert, an animation was inserted before and between each ad, to gently build up the picture brightness.